“Saul Bellow’s Heart” by Greg Bellows— A Son Remembers

saul bellow correct

Bellow, Greg. “Saul Bellow’s Heart: A Son’s Memoir”, Bloomsbury USA, 2013.

A Son Remembers

Amos Lassen

Without question, Saul Bellow was one of the giants of 20th century American literature. Bellow also ushered in a new era of American Jewish literature and for me; personally, I find it hard to think of an American without him. He won three National Book Awards, one National Medal of Arts, one Pulitzer Prize and the 1976 Nobel Prize in literature. Yet a man of his literary stature led a very private life of which we know little. His literature was neither controversial nor filled with scandal and Bellow did not look for attention. He lived in Chicago and was not a member of the crowd of New York intellectuals. Now with new memoir by his son, Greg, we learn who Bellow was and there are a few surprises.

Like his father, Greg Bellow gives writing filled with detail and he starts the memoir with the family’s arrival in America in 1912. Life was not easy for the Bellows and Saul Bellow merged incidents from his family with his fiction. He modeled his characters on real people—King Dhafu of “Henderson the Rain King” was based on Isaac Rosenfeld and Von Humboldt Fleisher was based upon Delmore Schwartz. Greg Bellow shows us that being the son of a famous father was filled with difficulty and he shows us that his father was full of contradictions.

His father’s first marriage was ruined by his own cheating on his wife and believed that to be faithful was bourgeois yet as a follower of Trotsky, this should have been an alien idea. Greg could not deal with his father either politically or personally. Saul later was filled with shame about his life from his teenage years through his forties and he felt he had to alter that about himself.

I have always respected Bellow, the man and author but after reading what his son says, I am afraid that the ivory tower where I placed him is beginning to rot, brick by brick. Yes, he was a great writer but now I see him as vain, bitter and cruel and as much as I do not want to believe that is so, it is his son that makes these claims. I see now that I do not have to love the man in order to love his writing—something akin to the way many feel about Wagner and his music.

SUMMER OF PEACHES

SPRITZ ON THE SUNSCREAM & PREPARE TO TAKE A BITE OUT OF OUR JUICY

SUMMER OF PEACHES

Midnight Mass Hostess Unleashes a Holy Terror of Hotness with Special Events featuring
Patricia Quinn, Mark Patton, Sharon Needles, Alaska Thunderf*ck & Jinkx Monsoon!!!

(San Francisco, May 6, 2013) Peaches Christ Productions is thrilled to declare this the SUMMER OF PEACHES with a special sneak preview of maniacal film & music events guaranteed to add additional heat — much needed in foggy, cold San Francisco — to your summer lovin’.
 
A delectable mash-up of music/dance, cult-film, red-hot special guests & buttery popcorn await you as Peaches Christ brings you the witchy-poo horror of “THE CRAFT,” the queer-fear of “A NIGHTMARE ON ELM STREET 2: FREDDY’S REVENGE” &  the staunch realness of “GREY GARDENS.” She wants you to save the date for the return of SHOWGIRLS MMXIII (2013) & reminds you to grab your tickets quick for the upcoming “THE ROCKY HORROR SHOW 4Oth ANNIVERSARY CONCERT TRIBUTE “with Patricia Quinn!”
 
Not in San Francisco?  Plan ahead, join us at the altar of cult-film & if you are a local, than this will be the ultimate ‘staycation.’ Advance tickets are available now.  More details, discount codes will be revealed at www.PeachesChrist.com


(Pictured l to r: Sharon Needles, Peaches Christ, Alaska Thunderf*ck and Honey Mahogany)   Photo by Jose A. Guzman Colon 

SUMMER OF PEACHES 2013 Official Events
 
Midnight Mass presents Night of 1,000 Scream Queens: “A Nightmare on Elm Street 2: Freddy’s Revenge” with Peaches Christ & actor Mark Patton
Saturday, June 22nd, 2013 – Castro Theatre
 Don’t miss this extra special Midnight Mass presentation of the gayest horror movie ever made, “A Nightmare on Street 2: Freddy’s Revenge” with the film’s own “scream queen” Mark Patton, live & in-person!  Experience the outrageous musical pre-show, an on-stage interview, post-show meet/greet & a “Scream Queen” costume contest.  Presented by Peaches Christ in association with Frameline37: San Francisco International LGBT Film Festival.  More info at:http:// www.frameline.org
 
THE CRAFT: WITCH-tacular!  featuring Peaches Christ, Sharon Needles, Alaska Thunderf*ck & Honey Mahogany!
Saturday, July 13th, 2013 – Castro Theatre
Queens, conjure up a beauty spell, because you’ll need it! After the extravagance of last summer’s “Silence of the Trans’ with Peaches Christ & Sharon Needles, we conjure up more star-studded entertainment, guaranteed to tickle your inner…witch.  Celebrate the Nineties’ supernatural masterpiece “The Craft” with a sickly fantastic pre-show featuring Ms. Christ, Ms. Needles & two flesh-faced gals joining our coven, direct from “RuPaul’s Drag Race, Season 5,” the wisely hilarious ALASKA THUNDERF*CK & San Francisco’s own cackling, lip smackin’ HONEY MAHOGANY. 
Advance tickets available now:  http://store.peacheschrist.com/products/120-the-craft.aspx
 
 SHOWGIRLS MMX111 (2013)
Saturday, August 24th, 2013 – Castro Theatre
You won’t feel like you’re too old for that ‘whorish’ look when our annual, consistently sold-out, omnibus of sparkle &  g-strings returns.  It will be a night of 1,000 showgirls featuring the pre-show “Goddess Spectacular,” free lap-dances with LARGE popcorn & “Nomi-Malone Look-A-Like Contest.”
Advance tickets available now:http:// http://store.peacheschrist.com/products/119-showgirls-2013.aspx
 
“RETURN TO GREY GARDENS” an original stage-show production & film screening.
Starring JINKX MONSOON as Lil’L Edie & PEACHES CHRIST as Big Edie
Saturday, October 12th, 2013 – Castro Theatre
Come experience the legacy of the “Edies” with the classic film presented as you’ve never seen it before.  Not familiar with the film? Get “schooled” mother darling, by JINKX MONSOON & Ms. Christ as they transform the Castro Theatre into a musical, dilapidated haunted house full of spirits resemble the dusty mansion in East Hampton.  Inspired by last year’s “The Shining” event, prepare to come face to face with some of your favorite “ghoulfriends.”  Advance tickets available now: http://store.peacheschrist.com/products/121-grey-gardens.aspx
 
Don’t forget!  Grab your tickets now for
 
“THE ROCKY HORROR SHOW 4Oth ANNIVERSARY CONCERT TRIBUTE “with PATRICIA QUINN
May 10 & 11, 2013 at San Francisco’s Victoria Theatre
This truly unique celebration will be a fully realized rock music concert presenting songs from the original stage production &  is being orchestrated by hostess Peaches Christ. Patricia Quinn, who played ‘Magenta’ in the stage & screen versions, will participate in an onstage interview with Ms. Christ, take questions from the audience & mingle with her fans in a post-show meet/greet!  Why watch the film, when you can live it??? Tickets available at: http://store.peacheschrist.com/products/116-the-rocky-horror-show.aspx
 
Leave the sunscreen for amateurs & get your tan ON when you enter the world of Peaches Christ at www.PeachesChrist.com

“THE FIRST 70″— Closing the Parks

the first 70

The First 70: California’s State Parks Under Threat”

Closing the Parks

Amos Lassen

The news that California chose to close about a fourth of its 278 state park and save twenty-two million dollars meant that aside from the loss of park lands, visitors would also no longer have access to wildlife reserves, recreation areas–50% of historic parks would be affected. This move would undermine local economies. Director Jarratt Moody and two other young filmmakers decided to visit 70 of the parks slated for closure. Area wise this meant some 3000 miles and in this documentary they have photographed the beauty and majesty of the parks as well as the outrage of local community members, park rangers an environmental activists who found the state’s decision difficult to accept and were determined to keep the parks open. It is so interesting to watch this and once again realize the importance of money in our world today. Future generations can possibly lose the chance to see the beauty that was there for all of us to enjoy.

 

“20th Century Un-limited” by Felice Picano— Two from Picano—Speculative Fiction

20th cen

Picano, Felice. “20th Century Un-limited”, Bold Strokes Books, 2013.

Two from Picano—Speculative Fiction

Amos Lassen

I have been reading gay literature long enough to know what I like and which authors always provide a good read. Felice Picano is one such author who never disappoints and I have read both fiction and nonfiction by him.

In this new book, we get double Picano—two short novels about time travel. Wonder of the West” takes us to the Golden Ageof Hollywood where we meet a man whose chronological age does not match exactly with the fact that he is retired. Since I do not live on the West Coast, I found this to be a difficult story to follow even though Picano is a master storyteller. I understand that it deals with a section of Hollywood Hills is a place where he once lived.

Ingoldsby”, on the other hand, pulled me in immediately. Here a good looking graduate student in the Midwest is caretaker of an architectural work of art and through it he meets all kinds of people. I was reminded of the adage, “You can’t judge a book by its cover” and here we have the addition of time adding that a book cannot be judged by neither cover nor when it was written. The story comes to use through a journal entry, newspaper and police reports. It’s interesting in that there is no narrator, per se.

I am not a fan of speculative fiction and I rarely read it but I am a fan of Picano who as a member of the original Violet Quill helped to open the door for what we refer to as gay literature. So while this book did not fit in with my personal taste, it is important when looking at how our literature has progressed and changed over time. This is where the book to me has something to say. As we have changed as a community, our literature has also changed. Now with the tremendous changes of late, I suspect that our writing will be reflective of those changes and here is Picano leading that parade.

 

“Thoreau in Love” by John Bishop Schulyer— Six Months in New York

thoreau

Bishop, John Schulyer. “Thoreau in Love”, Book Baby, 2013.

Six Months in New York

Amos Lassen

What we know about Henry Thoreau we have learned from his biographers and from his journals—some forty-seen volumes but 250 pages, which include his trip to New York, are missing—ripped out. We do not know who tore them out or why but we can suspect that they have to do with his sexuality and it was probably the literary executor of his state who is responsible (but this is only speculation). What we do know is that Thoreau’s mentor, Ralph Waldo Emerson, advised him to move to New York City when Thoreau found it difficult to cope with the Puritanism of Concord, Massachusetts. Thoreau did just that and never considered returning home. Whatever happened during that period is what is missing from his journal. He stayed in New York for six months and we don’t know why he left. Thoreau scholars and academics insist that he was heterosexual but he never married and his journals contain passages about “the beauty of men”. It is only natural to suspect that we are not supposed to know about his sexuality as if that would somehow discredit his writing. In fact by hiding his sexuality, whatever it was, reduces him to someone we read about but never really get to know.

Schulyer fills in those missing pages when Thoreau was 25 years old and we see Thoreau as a man with urges and desires who explored himself and the world before returning to Massachusetts where he spent the rest of his life and eventually became regarded as a major voice in American literature. We see here that while in New York, Thoreau fell in love with a man named Ben and we can surmise that his return home came because the two separated. Although Thoreau tried to find Ben again, he was unsuccessful and spent the rest of his life in solitude. He never mentioned Ben again but he did kept the man’s letters even when he was with Ellery Channing who became his companion in Concord.

The author tells us that he found the missing pages from the journals and tells us that Thoreau told Ben that he was tired of running away from who he was yet he did run—right back to Concord and to Ellery. When the book closes, Henry Thoreau and Ellery Channing are naked and swimming. Thoreau was no longer afraid of who he was.

I can only imagine the research that went into the writing of this book and the difficulty the writer had putting dialogue into the mouths of characters long dead. Historical novels demand great discipline and to write a novel with the atmosphere of time past is indeed challenging. Schulyer does so with great style and avoids the clichés that others meet when putting words in the mouths of others. There is a true feeling of authenticity here. After finishing the book, I took it with me to Walden Pond where I sat, holding the book, and thinking about what I read. I was for an hour or so taken back to the 19th century to meet the literary giant who has inspired so many of us but this time he was very real—especially when I now could feel that we had something truly in common. Schulyer returns Thoreau to us as a partner to our lives and I feel so much better because he has done so.

“Stubborn Heart” by Ken Murphy— Burned but Relit

stubborn heart

Murphy, Ken. “Stubborn Heart”, Dreamspinner Press, 2013.

Burned but Relit

Amos Lassen

Mark Smith, recently broken up with his boyfriend, has decided to live a simple life. He really is only interested in his career as a nurse and his home. Because he learned about the “perils” of dating when he found out that his ex had been cheating on him, he decides that there will be no dating. He has not had much luck with happiness and has begun to feel that he may never find it. But then… (there always seems to be a “but then”) he met Trevor Hayes at the hospital where he works and is as attracted to him as Trevor seems to feel the same. However, Trevor wants a relationship and Mark doesn’t. Even after spending a lot of time together, Mark is sure that this is a temporary romance. When it seems that he might lose Trevor, he realizes that happiness can indeed be his and is forced to choose between love and being alone.

The relationship between Mark and Trevor began slowly. Mark was very apprehensive and Trevor is very determined. Mark just wanted this to be fun but he soon understood that it is turning into more than that. When Trevor got the news of the death of a friend, Mark was there to comfort him. Trevor’s fellowship at the hospital was ending soon and so he would be leaving Mark. This was stressful for both men and Mark said some things that should have not been said and he hurt Trevor. Then they were both robbed and gunpoint and this gave Mark the courage he needed to hold on to Trevor.

This was a good read and it would have been much better read had Murphy stuck with one narrator and one point of view. At times, it was confusing to understand who was relating the story. This was a bit difficult to review without giving away the story. I think we shall be hearing more from Murphy and this prose does have a charm to it.

 

 

“Mendel Rosenbusch – Tales for Jewish Children” by Ilse Weber— For Children of All Ages

rosenbusch

Weber, Ilse. “Mendel Rosenbusch – Tales for Jewish Children”, translated by Ruth and Hans Fisher, Bunim and Bannigan, 2013.

For Children of all Ages

Amos Lassen

It seems to me that most children’s stories never lose their charm and that is probably the reason that they do not change and stories that are read to children, in many cases, are the same that were read to those now telling them. The stories here are folk tales and the original German edition dates back to 1929 when it was first published. Now we have a wonderful English edition that was translated by Ruth and Hans Fisher. I met Hans at a recent lecture and was mesmerized by the stories and by what he had to say about the author, Ilse Weber, who together with her son, was killed at Auschwitz.

 

The central character is Mendel Rosenbusch, a senior citizen, gets a magic coin that lets him become invisible when he wants and he uses this power to do good things for those around him. It was not long before Mendel became the town hero especially among the children. Mendel lived behind the synagogue in his shtetl in Eastern Europe and regaled everyone with his stories, eleven of which are in this book. I have always felt that stories that have nothing to teach or intellectually barren but here is a treasure trove of tales that not only teach us the Jews of Eastern Europe once lived. These stories do more than that—they teach about Judaism and its traditions and remind us of our rich heritage and who we are. Whether we are baking “Shabbos Challah” or listening to the Megillah at Purim, we get a strong sense of unity knowing that we are not alone and that people all over the world bake “Shabbos Challah” and make noise when Haman’s name is mentioned. And as I said, these are not stories just for children but for all of us who want to know our pasts.

The illustrations by P. John Burden are wonderful and with them the book becomes visual. As years pass, the world of the Jews of eastern Europe pass with them and if it were not for books like this, it would be gone forever. Just to give you an idea about relevant these stories are, I found myself being taken back to my childhood and listening to my parents tell me these stories. They are universal and have stood the test of time. They seem to eschew being dated and remind us that doing good deeds never goes out of style. The book is more than stories; it is an experience and a guide to a world that will never be again which was an important thread in the quilt of Jewish history. So often we learn about the Holocaust but not of the world that existed before the genocide of the 6,000,000. We need to know about that world and here is a way of doing so.

 

 

“Evolution” by Sam Kadence— Hiding from the World

evolution

Kadence, Sam. “Evolution”, Dreamspinner Press, 2013.

Hiding from the World

Amos Lassen

Genesis (Gene) Sage is 17 years old and a singer with his band, Evolution, and they are on the cusp of going “big time”. He loves singing but lately he finds his mind filled with strange thoughts and he knows that he does not fit the role that society has deemed. One day he ran into and “ran over” Kerstrande Peterson, a rock star and another guy who has no place in society— Peterson is a vampire and from that moment Gene’s life changed forever. Peterson thinks that Sage wants to use him to gain immortality for Evolution but his immediate affection for the singer and his enthusiasm causes him to bring Sage into his world.

The story has two narrators, Sage and Kerstrande, giving it two perspectives. Sage has the power of being able to see the dead and what people around him are thinking. With his mind somewhere else, Sage hit something when he was driving home after a gig and discovers that it was not something but someone. Sage fell asleep and dreams that he was having sex with someone who he discovered, upon awakening that was Kerstrande, the rocker and the legend—the former guitarist of one of the greatest bands of all time.

Each of the narrators speaks totally differently. Sage is the voice of innocence while Kerstrande is blunt and “in your face”. The voices show us the opposition between them but we also get a sense of balance which later helps us to understand what each is going through. Perhaps the biggest difference between them is that Sage lives in the present while Kerstrande lives in the past. Kerstrande is not at peace with who he is and how he is forced to survive but he also has the ability to make Sage fulfill his dreams and to be accepted.

 

Using the themes of lust, jealousy, envy, love and heartbreak, we watch Sage become a star as each man discovers more about himself and each other. This is a novel about acceptance and self-understanding. Some may have trouble with the fact that when they met first, Sage was underage but I think that with young people coming-out so early, this is an important aspect of the story. I sense that there is a sequel coming so if anyone has questions about the characters, I am sure the answers are on their way.

 

 

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Publishing Triangle— Winners Announced for 2012′s Best Lesbian and Gay Fiction, Nonfiction, Poetry, and Debut Fiction

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The Publishing Triangle proudly announces the winners for its 25th annual Triangle Awards, honoring the best lesbian and gay fiction, nonfiction, and poetry published in 2012. The winners were announced at a ceremony at the New School on April 25, 2013.

The Audre Lorde Award for Lesbian Poetry



Winner: Song and Spectacle, by Rachel Rose (Harbour Publishing)



Finalists

  • The Light That Puts an End to Dreams, by Susan Sherman (Wings Press)
  • Port of Call, by Davida Singer (Plain View Press)
  • Wine for a Shotgun, by Marty McConnell (EM Press)


The Thom Gunn Award for Gay Poetry



Winner: Looking for the Gulf Motel, by Richard Blanco (University of Pittsburgh Press)

Finalists

  • Appetite, by Aaron Smith (University of Pittsburgh Press)
  • He Do the Gay Man in Different Voices, by Stephen S. Mills (Sibling Rivalry Press)
  • Slow Lightning, by Eduardo C. Corral (Yale University Press)


The Ferro-Grumley Award for LGBT Fiction



Winner: A Horse Named Sorrow, by Trebor Healey (University of Wisconsin Press)

Finalists

  • An Arab Melancholia, by Abdelleh Taïa (Semiotext[e])
  • By Blood, by Ellen Ullman (Farrar Straus Giroux)
  • King of Angels, by Perry Brass (Belhue Press)
  • The Lava in My Bones, by Barry Webster (Arsenal Pulp Press)
  • Sea Change, by Ken Anderson (Starbooks Press)


The Judy Grahn Award for Lesbian Nonfiction



Winner: Are You My Mother? by Alison Bechdel (Houghton Mifflin Harcourt)

. Ms. Bechdel is the first repeat winner of the Judy Grahn Award, having been honored in 2007 for Fun Home, her 2006 graphic memoir.

Finalists

  • My Almost Certainly Real Imaginary Jesus, by Kelly Barth (Arktoi/Red Hen)
  • A Queer and Pleasant Danger, by Kate Bornstein (Beacon Press)
  • Why Be Happy When You Can Be Normal, by Jeanette Winterson (Grove Press)


The Randy Shilts Award for Gay Nonfiction



Winner: Eminent Outlaws, by Christopher Bram (Twelve/Hachette)

Finalists

  • Fire in the Belly: The Life and Times of David Wojnarowicz, by Cynthia Carr (Bloomsbury)
  • How to Be Gay, by David M. Halperin (Belknap/Harvard University Press)
  • Robert Duncan: The Ambassador from Venus, by Lisa Jarnot (University of California Press)


The Edmund White Award for Debut Fiction




Winner:
Monstress, by Lysley Tenorio (Ecco/HarperCollins)

Finalists

  • Broken Like This, by Monica Trasandes (Thomas Dunne Books/St. Martin’s)
  • The Evening Hour, by Carter Sickels (Bloomsbury)
  • Love, in Theory, by E. J. Levy (University of Georgia Press)

PTAwardsGroup2013

Standing, l to r: The Publishing Triangle’s Trent Duffy,
Whitehead winner John D’Emilio, Ferro-Grumley winner
Trebor Healey, Leadership Award winner Ira Silverberg,
the PT’s Carol Rosenfeld, Ferro-Grumley’s Stephen Greco,
and (kneeling) Rachel Rose (l), winner of the Audre Lorde
Poetry Award, and F-G’s Sarah Van Arsdale.

Historian and Archivist John D’Emilio Honored with Bill Whitehead Award

DEmilioIn accepting the 2013 Bill Whitehead Award for Lifetime Achievement, historian John D’Emilio said, “This award tonight is another example that history is change.” He explained that when he was a graduate student in the 1970s in the nascent, almost taboo field of gay history, it was inconceivable that there would be such a prize honoring such a body of work.

A pioneer in the field of gay and lesbian studies, D’Emilio is the author or editor of more than half a dozen books, including Sexual Politics, Sexual Communities: The Making of a Homosexual Minority in the United States; Intimate Matters: A History of Sexuality in America (with Estelle Freedman); and The World Turned: Essays on Gay History, Politics, and Culture. His Lost Prophet: The Life and Times of Bayard Rustin won the Publishing Triangle’s Randy Shilts Award for Gay Nonfiction in 2004. D’Emilio has also won fellowships from the Guggenheim Foundation and the National Endowment for the Humanities, and received the Brudner Prize from Yale University for lifetime contributions to gay and lesbian studies. A former co-chair of the board of directors of the National Gay and Lesbian Task Force, he was also the founding director of its Policy Institute. At the University of Illinois at Chicago, where D’Emilio teaches, he’s encouraged that “there is a generation out there who is eager to hear these stories about the LGBT past.

The Bill Whitehead Award is given to a woman in even-numbered years and to a man in odd years. D’Emilio will received his award at the 25th annual Triangle Awards, held at The New School’s Tishman Auditorium in New York City.

NEA Director of Literature Ira Silverberg  Gets Leadership Award

“This is one of the most hopeful times in my 28 years in publishing, because we are able to build things now we couldn’t before,” Ira Silverberg said, while accepting the Leadership Award, and referring to new technologies and new distribution platforms and systems. Created in 2002, this award recognizes contributions to lesbian and gay literature by those who are not primarily writers–editors, agents, librarians, and institutions.

SilverbergIra Silverberg is currently the Director of Literature for the National Endowment for the Arts, where (among other things) he oversees the NEA’s The Big Read, a nationwide reading initiative. Before coming to the NEA, Silverberg was a literary agent and an editor. As an agent, he has managed a client list of award-winning fiction and nonfiction authors including Adam Haslett, Kathy Acker, Wayne Koestenbaum, David Wojnarowicz, Karen Finley, and Dennis Cooper. As editor in chief of Grove Press and U.S. publisher and co-editorial director for Serpent’s Tail, he published Sapphire, Gary Indiana, Neil Bartlett, and Herve Guibert, among others. He also handled public relations for William S. Burroughs for many years.

In presenting the award, Amy Hundley, senior editor and subsidiary rights director at Grove/Atlantic, praised Silverberg for, in Wayne Koestenbaum’s words, “understanding that ‘weird’ and ‘writing’ are necessary bedfellows.”

Throughout his career, Silverberg has been a tireless advocate for LGBT books and transgressive authors, making him a worthy honoree for this Leadership Award. The award was presented at the Publishing Triangle’s annual awards ceremony, on April 25, 2013 at The New School’s Tishman Auditorium, in New York.


Edmund White Remembers Whitehead

WhiteTo mark the occasion of the 25th Bill Whitehead Award for Lifetime Achievement, Edmund White spoke at the Publishing Triangle Awards on Thursday, April 25, 2013. As the winner of the very first Bill Whitehead Award, in 1989, White shared some memories of his working relationship, and friendship, with Whitehead, who edited many of his books, including A Boy’s Own Story and States of Desire.

In addition to remembering Bill Whitehead, he also presented the Edmund White Award for Debut Fiction (which is of course named after him) to Monstress, by Lysley Tenorio (Ecco/HarperCollins).

“THE HAPPY POET”— Love and Food

HappyPoet_3D_LR

The Happy Poet”

Love and Food

Amos Lassen

Who would have thought that a film about a vegetarian poet and a healthy food stand would provide a unique movie experience? I, for one, would never have believed it had I not seen it myself. Bill (Paul Gordon who also directed the film) uses his last few dollars and all of his heart to start a stand to sell healthy food. He has a bit of help from some surprising supporters; he strives to make a difference in the world by creating a future without hot dogs. He is an underdog who struggles against the system and gives us a new look at America’s social conscience and what we eat. Bill is a MFA graduate who reinvents himself as the owner of an all organic vegetarian food cart that he hopes to use to change his world. He sets up his stand in an Austin, Texas park and has a few friends around—“Jonny Mars as a wily opportunist, Chris Doubek as a local mooch, and Liz Fisher as a would-be love interest” and they hang around Bill and his cart, encouraging the recovering artist to begin with a brand. We see a view of American class structure and ideas about sustainability. The movie is filled with sophisticated humor and there is wit everywhere.