“History of Violence: A Novel” by Edouard Louis— An Autobiographical Novel

Louis, Edouard. “History of Violence: A Novel”, translated by Lorin Stein, Farrar, Straus and Giroux, 2018.

An Autobiographical Novel

Amos Lassen

  1. Edouard Louis’s “History of Violence” autobiographical novel about surviving a shocking sexual assault and coping with the post-traumatic stress disorder of its aftermath has been an international bestseller and now is available in English.

On Christmas Eve 2012, in Paris, the novelist Louis was raped and almost murdered by a man he had just met. For Louis that was a shattering act of violence that made him a stranger to himself, so much so that it caused his return to the village, the family, and the past he had sworn to leave behind.

The story moves back and forth between past and present and between Louis’s voice and the voice of an imagined narrator. We read of the casual racism and homophobia of French society and the subtle effects these have on lovers, brothers and sisters, husbands and wives. We see the suffering that cones f from exclusion, domination, and poverty. Having grown up in poverty, we are taken back to the first book that Louis wrote, “The End of Eddy” in which he described growing up gay in a working class village in the north of France. We read of the harassing incidents that followed the rape as the novel examines guilt, homophobia and racism and we get a close look at the nature of violence and the dynamics that bring about an escalation of such violence. At times, it as if we are reading a police report. Louis is a masterful writer and an emotional force. We see that when one is confronted with violence, it is usually then reproduced against others and that the cult of masculinity often arises because of it.

This is not an easy book to read because it is so real yet it is an important book and a wonderful addition to the canon of LGBT literature and literature in general. The novel gives a give a voice to those affected by violence and reveals the sentiment of invisibility that strikes the dispossessed as well as critiques the values of the culture of violence.

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