“Fireworks in the Graveyard” by Joy Ladin— Identity

Ladin, Joy. “Fireworks in the Graveyard”, Headmistress Press, 2017.


Amos Lassen

As we search to learn who we really are, we explore the concept of identity and realize that this is the most difficult riddle we will ever face in life. Joy Ladin faces the relentlessness of our most vexing riddles with it was style, lyricism and humor. grace, musicality, and wry humor. She looks at love in all of its mutations and meditates on love and faith and we feel her fear and acceptance that death is always impending.” Death in all of its grammatical forms is a major theme of the book, it is an inescapable fact of life. Memories and re-memories are another theme here.

Much like the Torah, Ladin uses repetition for emphasis. The poem “Sabbath” took me back to my youth when after the traditional meal we would sing for hours around the table. I love that she went to the Psalms to find songs and we learn that there are really no new songs to sing to God. By singing old songs we might find new meanings and a new way to understand.

In “While You Were Away,” we get the idea that a change has taken place and we see that this change was prolonged and contains frightening details. She shares that her “physical and mental state—breathless and broken.”

Ladin has structured her book in three parts, each named for a poem within it. These sections are the speaker, a lover, and often a mother or young boy. For those of you who do not know, Ladin is a trans woman.

Because poetry is so personal, I am having a difficult time writing this review. I know and love Joy and am a huge fan so anything she writes is a work of beauty for me. I feel as I am rambling here and I am about to do something I have never done before and that is end this review in the middle so that I can spend more time with the poems.

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