Garebian. Keith. “William Hutt: Soldier, Actor”, Essential Prose Series, 2017.
A Classical Actor
I must honestly say that before I picked this book up I had never heard of William Hutt. I learned something new here and that is one of the beauties of reading. Of course, reading this made me want to learn more but that does not seem to be a lot about Hutt around.
William Hutt showed that it was possible to be a great classical actor without sacrificing his Canadian accent or cultural identity. His roles created “imperishable portraits of Tartuffe, King Lear, Lear’s Fool, Feste, Khlestakov, Duke Vincentio, Titus Andronicus, Timon, Argan, Lady Bracknell, James Tyrone, Sr., and Prospero” and these guaranteed that he will be remembered as long as there is cultural memory. I understand that when he was not on stage, he could be charming and witty or moody and “oppressively grand.” He remained
the Duke of “Dark Corners” to many who wished to know him more intimately. In this detailed biography, Keith Garebian gives us Hutt’s “private and public lives, his most intense conflicts, deepest yearnings and anxieties in order to show how Hutt brought his life to his work and work to his life in a manner that left him vulnerable to wounds of the heart yet open to radical re-invention as an actor.”