Lerner, Jonathan. “Swords in the Hands of Children: Reflections of an American Revolutionary”, OR Books, 2017.
Jonathan Lerner’s memoir looks at his youthful radicalism. He is precise and unwavering about the cost of resistance and rebellion without sacrificing his idealism. Against the background of the Vietnam Era, Lerner looks a the impulses that led a small group of educated, privileged young Americans to turn to violence as a means of political change. He also shares the true story of an intellectually adventurous but insecure gay man who is immersed in the macho, misogynistic and physically confrontational environment of the Weathermen.
Known as the Weather Underground, the Weathermen, or Weatherman unleashed a series of bombings across the United States that attacked the Pentagon, the Capitol Building, and the U.S. State Department, among many other places. At its height, the organization consisted of several hundred people, all committed to violent change face-to-face battles with the police.
Lerner invented himself as “minister of propaganda” for the movement and participated in the Venceremos Brigade in Cuba and observed the Native American uprising at Wounded Knee. He later reinvented himself as a high-rolling gay hustler, His journey took from idealism to destruction and beyond. There have been others memoirs written by members of the Weathermen but none has explored the history of the group with such honesty as Lerner does. He was there and now sees the Weathermen very differently. He shares unbelievable true stories bringing us the closest we will ever be to revolution. Lerner’s life is an account of “idealism undercut by submission to a rigid ideology”. His perspective as a gay man is unlike anything we have ever read about the Weather Underground. This is , as Michael Bronski has said, “a brilliant and moving analysis of one of the most significant moments in American history”. It is written with passion and wisdom and is a self-questioning depiction of Lerner’s youthful radicalism. By telling his particular story of life at the far edge of the 60s and 70s counter culture, he is precise and unstinting about the wages of resistance and rebellion without sacrificing his continuing and moving idealism.