Modiano, Patrick. “The Search Warrant”, Random House UK, 2000.
Winner of the 2014 Nobel Prize in Literature
When a Nobel laureate in literature is announced, most of us have not ever heard of him before and a mad rush to read whatever we can find so that we may judge if a recipient is really deserving—for some reason we seem to think that our opinion is as important as the Nobel judges.
The Nobel Prizes are awarded by the Royal Swedish Academy, academics and thinkers who have been appointed to lifetime memberships. The Academy elects, from within its own members, The Nobel Committee for Literature, which invites distinguished academy members, previous laureates and other qualified nominators from around the world to nominate authors for the prize. From the nominations they receive, the committee selects a short list of candidates. The final choice is made by the full 18 members of the Swedish Academy, who review the life’s work of the nominees chosen by the Nobel Committee for Literature.
The Nobel Prize in Literature has been the subject of considerable controversy over the years. The prize has been criticized for ignoring some seminal authors such as Vladimir Nabokov, James Joyce, Virginia Woolf and Leo Tolstoy, while being bestowed upon other authors who have since languished in apparent obscurity.
The sheer scope of the Nobel Prize presents an obvious challenge; with literature from across the globe open for consideration, it would be difficult for the Academy to recognize each highly acclaimed author from each literary tradition around the world. This breadth of consideration, as well as the relative opacity of the process, keeps critics and odds makers guessing each year as to what direction the Academy might take.
The 2014 Nobel Prize in Literature was awarded to French author Patrick Modiano for “the art of memory with which he has evoked the most ungraspable human destinies and uncovered the life-world of the occupation.”
Modiano, 69, is the author of more than two dozen books and several screenplays. The 11th Literature laureate born in France, Modiano is also the recipient of the Grand prix du roman de l’Académie française, the Prix Goncourt, the Prix mondial Cino Del Duca and the Austrian State Prize for European Literature.
“The Search Warrant” is set in December 1988 and has a bit of a back-story. While researching documents dating back to the Nazi Occupation of Paris, Modiano came upon an old notice in the New Year’s Eve edition of Paris Soir, 1941, placed there by the parents of a young Jewish girl, Dora Bruder, who had escaped from the convent that was hiding her during this period. Fascinated by what happened to the young girl who chose to run away on a very cold winter’s night and at the height of German reprisals, Modiano set off on a quest to find out all he could about her. However besides a mention of her name in the list of Jews deported to Auschwitz, the details of her existence remain an impenetrable unknown. What little he discovers in official documents and through remaining family members, becomes a meditation on the immense losses of the period—lost people, lost stories, and lost history. Through this young girl, Modiano delivers an account of the ten-year investigation that took him back to the sights and sounds of Paris under the Occupation and the paranoia of the Petain regime as he tries to find connections to her.
Through his investigation, Modiano looks for Dora, and for his own father who was also hiding in Paris of that time. The idea of tracing the movements of a single person, who at first is anonymous but through the skill of Modiano becomes a real person with whom the reader can sympathize, makes one as sad as if a close relative had been unjustly killed. This is most certainly not an easy read and plodding through the text might just be an accurate description of what there is here. As we plod, Modiano brings us into his story and we are soon swallowed by it while loss of memory reigns within the author’s words. Secrets remained secrets despite the collusion of history and time. We see that memories are fallible and often inadequate to capture the past and we therefore have to rely upon decaying documents and unclear memories of others to get to the truth. I must stay that I was stunned by the book and even though I read it in translation the words and language are gorgeous.